But Wilde is too clever for that. Usually, having two differing locales like lavish London and an unspoiled countryside estate would show readers a marked contrast.
Subscribe to our FREE email newsletter and download free character development worksheets! Cris Freese October 27, No matter what the genre, a good writer needs to set the mood for readers.
It makes the story believable. In this sense, the settings become different because the mood and atmosphere have changed. Example 1 A shadow lay over the yard like a grave cloth. The grass was long and unkempt. The features of the house shimmered in the blaze of the afternoon, blurred beyond recognition to the unwary stranger.
Okay, a bit cheesy, maybe, but you get the point. Not a fun place to go. Example 2 Zinnias blossomed against the cherry tree beside the front porch, their sun-kissed inner circles wreathed in bashful pink.
She sniffed the breeze with delicate nostrils, brushed her eye with a paw, and bounded into the sun.
Ah, a more pleasant place, yes? Example 3 The dirt showed through the grass in brown scars. An American flag still fluttered on its pole, but the sun had washed it out to a milky translucence, and its trailing edge was shredded.
I was describing the same place in all three passages: A yard, grass, some trees, and stuff on the lawn. But I created vastly different feelings for the scene that could then take place there.
I did this by means of three tricks. First, I selected different details to point out each time. Second, I made heavy use of word pictures and comparisons.
The similes were sufficient. Third, I chose my vocabulary carefully. In the first one, I used words like grave cloth, bole, shrouded, withered, and creeping. In the second, I used blossomed, furry, bashful, and bounded.
Plus a bunny—you can never go wrong with a furry bunny if you want to paint a happy mood. In the third, I used wasted, brittle, and cry, plus images of regret and loneliness.
Actually, I did a fourth thing to create the mood I was after. For instance, I used shimmered when I was thinking shivered. I used cherry to sound close to cheery. And I used lacy to sound like lazy, as in relaxed.
Indeed, you could combine both advanced techniques in this book into one. The same house and yard might look all three of these ways at different points in the story depending on how the viewpoint character is feeling at the moment. We all see things we want to see—or fear—and your characters are no different.
Do you have a scene you want your reader to perceive as happy, frightening, or sad? Do you want the reader to arrive at the scene feeling wary, disarmed, or flush with young love? Then take out your paint kit your thesaurus and begin selecting your palette.
It should work the other way around, too. You should probably remove the happy family of bunnies, in other words. Your words are setting a mood for your scenes, whether you think about them or not.
Descriptions are like paintings. An artist will choose her tools carefully. The brushes, the canvas, the paints, the colors, and more. All of these help her convey the image and feeling she wants to create in the painting.
So it is in your fiction.Re possible reasons for passivism: my personal one is that I had tried activism a few times over the years, and it backfired in various traumatic and unexpected ways, even though my words and actions were indistinguishable (to me) from those taken by other, much more successful activists.
The age of the earth can be measured by numerous different techniques, most of which provide just a minimum age. The absolute age of the earth has been most accurately measured through radioactive decay of its rocks.
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(of course this does not apply to the elect oligarchy at the top who end up owning the lot!). Sidney and Beatrice Webb published a book of pages in defense of Bolshevism. Essay Writing Guide. Learn the art of brilliant essay writing with help from our teachers. Learn more.