The techniques of Tuei-Na, described as the oldest of healing techniques by the Yellow Emperor, are the result of diligent research by Taoists. After noticing that human beings naturally and immediately clasp themselves upon experiencing pain, Taoists began to research the effects of manual and implemental manipulation for pain and other problems. From their research, many theories and techniques of healing were developed.
The Wandjina is an ancient, powerful, mysterious and deeply spiritual symbol. The Wandjina represents the creator spirit for the Aboriginal people of the Kimberley region. These striking figures, some dating back thousands of years, are found throughout the Kimberley in rock art sites. The Aboriginal people treat these sites with respect and caution, indeed often approaching Wandjina sites with a wariness bordering on fear.
This still occurs in a handful of sites but many images are now fading due to the loss of traditional ways. The Aboriginal people believed that the Wandjinas were responsible for bringing the annual rains and storms to the region, and thus The art of healing people refreshed the images annually to maintain the power of the Wandjinas and ensure the return of the rains and renewal of fertility to the area.
The image of the Wandjina is reminiscent of the enormous storm-cloud formations which bring rain to the Kimberley each Wet season. Wandjinas also gave the traditional law to the people.
The Wandjina therefore forms a central part of the culture of the region. Wandjinas are usually portrayed with a halo-like ring around their head and no mouth; they are all-seeing and all-knowing and have no need for speech.
There is much about the Wandjina that I do not understand, for my experience with them is brief and I do not have the traditional knowledge of them. Nonetheless, in my experience every Wandjina art site is special; they are indeed powerful, spiritual places that inspire respect and awe.
A visit to any Wandjina site is an amazing experience. Most Wandjina sites are located under rock overhangs, which have served to protect the art from moisture and wind.
The predominant rock throughout the Kimberley is the King Leopold sandstone, smooth, hard and pale, and therefore perfect for rock art. This was a breathtaking moment and one of the highlights of that famous ceremony. The aim of the Bush University was to take non-Aboriginals to the Kimberley and educate them in traditional ways, in order to deepen their understanding and appreciation of Aboriginal culture.
The tour was a great experience. Seemingly in the blink of an eye, we had left Canberra and were flying across the Kimberley in a light plane, battling into strong winds, as we headed towards some remote place know as the Mitchell Plateau. A timeless, ancient and powerful place that remains largely untamed by the modern world.
We landed on the dirt runway, thankful to be in one piece, and commenced some life-changing adventures. Our tour began in the region of the Mitchell Falls, where we were led by Sylvester, a knowledgeable and entertaining Wunambul man. He introduced us to the ways and stories of his people, and also took us to our first Kimberley rock art sites.
Powerful spirit figures, and enigmatic Gwion Gwion figures, stared down at us from the sandstone walls. These were powerful places, and were home to the first Wandjina images we had encountered. The Wandjina figures had a sense of presence and power and, I must say, were slightly unsettling.
We then stayed some days at Marunbabidi, a remote camp, with some prominent Ngarinyin elders led by Paddy Neowarra and Pansy Nulgit. Our time with them served as our true introduction to the ways of traditional Kimberley peoples.
Paddy Neowarra, as senior Elder, led the group in to each site. The approach to Donkey Creek is something I will never forget.
From a remote, deliberately concealed car-park, we walked hundreds of metres in single file, through chest high grass in the late afternoon sun.
The air was perfectly still. An expectant hush fell over our normally chatty group. As we drew nearer to the site, Paddy began to call to the resident spirits in his language. His lone voice called out again and again, seeking permission from those spirits for our party to visit the site.
As we continued, we became aware of a rock outcrop to our right, and then we saw them — a line of Wandjina spirits along the base of the outcrop. This was a breathtaking, potent site. The Donkey Creek Wandjinas are known as the Cuckoo People, representing a lineage of Wandjina spirits; they also record the history of the Ngarinyin people.
Postscript to tour We know that Maggie Sands, who organised our trip to the Kimberley inwas keen for members of our group to have life-changing experiences there. All I can say on behalf of this couple, is that the Kimberley journey of had a profound effect on our lives, and it is no exaggeration to say that it was a major inspiration for the lifestyle we now lead.
A photograph of the Donkey Creek Wandjinas, which served in our Canberra home to inspire us to embark on our current travels, now looks down at us from the living area of our camper trailer. Like much of the art itself, the photograph is somewhat battered looking and its colour is flaking off.
But it is treasured by us. Further postscript to the tour During our stay with the Ngarinyin elders, they had planned to take our party to another Wandjina art-site, a site now recognized under native title as belonging to them.“Art is a way of expression.
The balance that science and art creates allows me a different perspective and capturing of facts.” The balance that science and art creates allows me a different perspective and capturing of facts.”.
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INTRODUCTION. Visiting a Wandjina site is, without doubt, the most dramatic experience in rock art.
The Wandjina is an ancient, powerful, mysterious and deeply spiritual symbol. “Art Of Healing’s healing expertise was recommended to me by a friend, and I have recommended them to my friends.
At Art of Healing, I have received relief from . Studies show that almost a third of the U.S. feels significantly lonely in their public lives, such as at their job. You might think that the hive mentality found in many workplaces would be an antidote for those experiencing episodes of loneliness.
The Healing Power of ART Exhibition on the Manhattan Arts International website features images and artist’s statements by 43 artists from around the world.